A Patchwork Planet
I’ve been rereading Ann Tyler’s novel for my book group tonight. And I’m very conscious of how my reading style has changed over the years. In my teens and early twenties I read voraciously – sometimes reading just to plunge in and loose myself in the narrative, sometimes from a lit crit point of view looking for patterns and symbols ( I did an English degree). Later as an art historian I tended to read novels for sheer pleasure and escape. But when you become a writer yourself, you lose your virginity as a reader. So that reading A PATCHWORK PLANET, which has a first person male narrator, though I was quickly sucked into the story – she is above all just immensely readable – I was also asking myself, how does she do this? And: has she pulled it off? To write a short story from a male viewpoint is not too difficult (I’ve done it myself) but a whole novel is a tour-de-force, especially in the first person. Jane Austen famously avoided even having two men talking without a woman present, and a male narrator would have been unthinkable. Tolstoy on the other hand got into the head of Anna Karenina to write perhaps the most brilliant novel ever written. LARRY’S PARTY by Carol Shields springs to mind as an admirable effort to present a male viewpoint, even though it’s not in the first person, as I recall. So how does Ann Tyler do in the cross-dressing stakes? Not bad. Sex is always difficult to write about anyway without sounding clinical or crude or unintentionally funny but she manages by not being too specific about what’s actually going on. I think Carol Shields is better at imagining what it is like to actually live in a male body and have a masculine cast of mind, but for an exploration of the cruel dynamics of family life in scenes that are both funny and painful (here a mother and son relationship what would give Woody Allen a run for his money), it’s hard to think of a contemporary writer who can equal Ann Tyler.