Bodies from the Library has become an annual event. I went for the first time last year and thoroughly enjoyed it, so I was delighted to be invited to speak this year. Sarah Ward and I will be talking about ‘Forgotten Women Authors’. Sarah’s choice is Elizabeth Daly and mine is Ethel Lina White.
I’ve already mentioned Ethel Lina White on the blog: here and here and I have plenty more to say about her. I love the fact that she didn’t publish her first crime novel until she was fifty-five and yet her third novel, Some Must Watch, became a Hollywood movie and her fifth, The Wheel Spins, was filmed by Hitchcock as The Lady Vanishes. She was a best-seller in her day and wrote the kind of suspense that sets your heart racing. Yet she is little-known now. If you want to know more, come along on the 17th June!
One of the unexpected pleasures of becoming a crime writer has been the friendship of other crime writers. I first met Martin Edwards through the Crime Writers Association and we found we shared an interest in golden age crime fiction – though Martin knows far, far more than I do. We’ve had many absorbing conversations over the years. I’m especially pleased to welcome him to my blog today and to celebrate the publication of his new book, The Golden Age of Murder, which I know will be an enthralling read.
I asked him, What are the golden age crime novels that you first read and enjoyed?
The very first was The Murder at the Vicarage by Agatha Christie, swiftly followed by After the Funeral and then all the rest. I loved them, and in particular I loved being fooled by those ingenious final twists! Once I’d worked my way through all the Agathas I could find, I turned my attention to Dorothy L. Sayers. Ngaio Marsh, Margery Allingham. Anthony Berkeley and Henry Wade came later.
Is there any one writer that has been unfairly neglected and that you would
like to see back in print?
It’s rather sobering just how many writers who were once very popular have
been neglected over the past half century. I’ve very much enjoyed my role as
Series Consultant to the British Library’s Crime Classics series, which has
resurrected some very interesting writers, including the splendidly named
Christopher St John Sprigg, who was also a poet and a committed Marxist
prior to his tragically early death at age 29 while fighting in the Spanish
Civil War. Of the writers who remain to be rediscovered, several names
spring to mind, but I’m going to highlight Richard Hull, one of the few
crime writers who was also a chartered accountant. He is best known for his
first book, The Murder of My Aunt, but I’ve got a very soft spot for
Name half a dozen golden age crime novels that you wish you had written
There are many more than six, but naturally I have to start with Agatha. And
Then There Were None and The ABC Murders are brilliant, in very different
ways. Anthony Berkeley’s The Poisoned Chocolates Case is another classic I’d
love to have written. Under the name Francis Iles, the same chap wrote the
marvellously ironic Malice Aforethought. Henry Wade’s Lonely Magdalen is a
terrific police novel, not in the least ‘cosy.’ And even darker is Hugh
Walpole’s splendidly macabre posthumous chiller, The Killer and the Slain.
I must get hold of The Killer and the Slain. You and I have been reading golden age crime for years. Why do you think everyone else has suddenly caught on?
Like so many interesting puzzles, this one has, I think, a rather elaborate
answer. As I was growing up, Golden Age fiction seemed very unfashionable
(something that could be said of many of my enthusiasms, I must admit!) and
even when I started publishing my Harry Devlin novels, which have a very
modern urban backdrop but also have plots overtly influenced by the Golden
Age, reviewers who liked them didn’t tend to pick up on the Golden Age
connections. Even though The Devil in Disguise, for instance, is very much a
homage to Agatha. Fortunately, a few people, such as Barry Pike, Stephen
Leadbeater, Geoff Bradley and various contributors to Geoff’s superb
magazine CADS kept interest in the Golden Age alive. The Golden Age of Murder makes copious references, in end notes, to material from CADS for that reason. I’d also like to mention Doug Greene, whose Crippen & Landru press has been publishing, very attractively, a series of “Lost Classics” for years.
Things began to change within the past decade, largely thanks to the
internet, which makes so much information accessible to all, and in
particular to the blogosphere. I started blogging in 2007, and soon found
myself in contact with like-minded enthusiasts. I’d highlight Xavier
Lechard, whose blog At the Villa Rose, has always impressed me, but there
are plenty of others who have come on the scene year by year. New technology
also made a big difference as ebooks became popular, and printing minority
interest books on demand became viable. This has helped to make more of the
older books available at affordable prices, and a whole range of publishers,
small and large, have contributed to this process. Harper Collins has had
great success with its Detection Club reprints, and Bello’s list is
increasingly varied. Then the British Library’s Crime Classics really took
off – and this was a new twist in the tale, because suddenly mass market
paperbacks, not just ebooks, were selling in vast quantities. Over a quarter
of a million trade sales so far – a truly staggering figure.
Thank you, Martin. I should mention that Martin also writes a terrific blog about crime-fiction at the splendidly titled http://doyouwriteunderyourownname.blogspot.co.uk.
The British Library are on a roll. They’ve followed up an excellent exhibition on book illustration with an equally good one on the Gothic. I absolutely loved it. The range is wide, taking in its origins in Horace Walpole’s The Castle of Otranto and Strawberrry Hill and going right up to the Whitby Goth Weekend, photographed by Martin Parr. It includes ghost stories, Victorian horror (Spring-heeled Jack, Sweeney Todd, Dr Jekyll and Mr Hyde). Vampires, werewolves, zombies, doppelgängers: they are all here. I was particularly taken by a case containing a vampire-slaying kit, complete with mallet, stakes, and moulds for silver bullets.
A particular strength is that they have included extracts from films. There is Bride of Frankenstein; you can hear Elsa Lanchester screaming half way round the exhibition and whoever thought up that fabulous lightning bolt hair-do was a genius. There is The Wicker Man, Night of the Living Dead and many, many more, including one of my favourites, Night of the Demon, and a wonderful Spankmeyer short that I didn’t know about. There are recorded interviews with the likes of Neil Gaiman and Sarah Waters.
In truth, I am not a great horror fan, though I can enjoy almost anything if it is well done and I love a good ghost story. But there was so much of interest here that even a couple of hours wasn’t quite enough. Here is a link to the BL page which features a video and lots more: http://bit.ly/ZR3MQ6.