Invisible’s got an excellent, tense plot, shifting between the two main characters, with a good number of surprises along the way. Poulson always has great, strong women characters, with real lives and feelings . . .  I liked the fact that the depictions of violence and injury were realistic without being over-detailed or gloating . . . It was a pleasure to find a book that did the excitement, the jeopardy and the thrills without putting off this reader . . .  a very good read for anyone.’


Christie’s Death Comes as the End

UnknownAfter I’d seen the splendid Egypt: Faith after the Pharaohs at the British Museum, I went to the London Library and got out Agatha Christie’s Come Tell Me How You Live. She published it in 1945 under her married name of Agatha Christie Mallowan, and it is an account of the trips to the Syria that she undertook with her archeologist husband before the war. It is in the tradition  of light-hearted travel writing that goes back to Jerome K. Jerome’s Three Men in a Boat. She doesn’t at all mind telling funny stories at her own expense – but all the same, what a trooper she was, putting up with food-poisoning, primitive living conditions and at one point, a near riot among the workmen. Her love of Syria, the land and the people, come over very strongly. I was amused by her description of her husband’s ability to ignore everything except his work (I too am married to an academic – and I’ve been one myself).

It was strange reading about Aleppo and Raqqa, knowing what is happening there now. There is a terrible irony in the epilogue where she explains that she wrote her memoir as an escape from war-time London: ‘for it is good to remember . . . that at this very minute my little hill of marigolds is in bloom, and old men with white beards trudging behind their donkeys may not even know there is a war. “It does not touch us here . . . “

Reading Come Tell Me How You Live put me in the mood to read Christie’s Death Comes as the End (also 1945) set in Ancient Egypt. The copy I read was one of my mother’s collection of Christie novels and has the splendid Tom Adams cover. It was engrossing and I am guessing that the fascinating historical detail is accurate; it’s certainly convincing. But I was disappointed by the solution to the mystery which I guessed, because it involved a device she’d used in at least one other novel. I’d like to know how other Christie fans rate it.

Two thirds of the way through my book moratorium

Cartographies cover front for webIt is two months today since I began my book-buying moratorium – and I am still going strong. It was most difficult at the beginning, when I was trying to break the habit. There was a danger that I just would buy more DVDs instead – they too are so cheap in charity shops – even though we have too many that we haven’t watched. So for the time being I am avoiding charity shops, except when I go to drop books off.

I can’t remember when I last bought so few books. I think it must have been before I was earning a salary. I wonder if over the years I have spent more on books than on clothes. It seems quite possible.

I’m not making the inroads into the TBR pile that I’d like. I find that I’m reading books from the library a lot. I’ve just finished Agatha Christie’s Come Tell Me How You Live about life in Syria with her archeologist husband, which I got out of the London Library, and that made me want to read Death Comes as the End, which she set in Ancient Egypt. That one I already own and I am halfway through.

The collection of poetry by my good friend Anca Vlasopolos (pictured above) arrived yesterday and is one of the few exceptions that I’ve allowed myself (the other was a book I bought at a launch). It is attractively produced with charming illustrations and abstinence makes this even more of a treat.