Along with my good blogfriend Moira at http://clothesinbooks.blogspot.co.uk I am posting my list of ten novels with theatrical settings. Theatres are closed communities of people engaged in a very stressful profession and so make wonderful settings – for crime novels in particular. Actors are good at lying. Deceiving people is what they do for living. And theatres can be sinister places, especially when the performance is over. Here is my choice:
Simon Brett, Murder Unprompted (1982) I could have chosen almost any one of the Charles Paris mysteries. This is one I happened to have on the shelf. They are all acutely observed and very funny. What an old reprobate Charles is, with his fondness for Bell’s whisky and his roving eye, yet his heart is the right place and he never quite loses the reader’s sympathy. In Murder Unprompted it seems he might at last hit the big time when he is the second lead in a play that transfers to the West End. Then the star is shot on stage . . .
Helen McCloy, Cue for Murder(1942). At the end of Act I of a revival of Fedora, a rare hoary old melodrama, it transpires that the corpse on stage really is a corpse and only the one of the three actors on stage could have been the killer. It’s up to McCloy’s psychiatrist sleuth Basil Willing to unravel the mystery. The theatrical setting is brilliantly evoked.
Gwendoline Butler, A Dark Coffin (1995). I suspect that Butler, who died in 2013, is not much read now and if so that’s a pity. She combined crime and the macabre in a quite original way. The series featuring John Coffin began in the late 1950s. By the time she reached A Dark Coffin he is a very senior policeman happily married at last to Stella Pinero, an actress in whose theatre two people are found stabbed to death in a box at the end of the performance. Butler wrote shortish novels, not a word wasted and all the better for that: very suspenseful, very good.
Glen David Gold, Carter Beats the Devil (2009). Charles Carter is a stage magician who is given his stage name “Carter the Great” by Houdini.The novel begins in 1923 with the most daring performance of Carter’s life. Two hours later US President Harding is dead and Carter flees the country, pursued by the Secret Service. This is one of those long densely written novels that you don’t want to end. Lots of fascinating stuff about the art of the stage magician. A great read.
Donna Leon, Death at La Fenice (1992). The first in her Venetian series, which have given me a lot of pleasure over the years. The audience are waiting for the third act of La Traviata to begin, when the artistic director appears between the curtains to ask ‘Is there a doctor in the audience?’ But Maestra Wellauer, poisoned by cyanide in his coffee, is beyond medical help. When Commissario Guido Brunetti investigates he finds that the man had plenty of enemies. Combines one of my favourite cities with one of my favourite settings.
Penelope Fitzgerald, At Freddie’s (1982). Freddie’s is a stage school for children and Freddie herself is an institution and something of a monster: ‘she knew she was one of those few people in every walk of life, whom society has mysteriously decided to support at all costs.’ It’s set against a production of Shakespeare’s King John. Fitzgerald herself described her subject as ‘The courage of those who are born to be defeated, the weaknesses of the strong and the tragedy of misunderstandings and missed opportunities which I have done my best to treat as comedy, for otherwise how can we manage to bear it.’ It is both funny and profound.
Christopher Fowler, Full Dark House (2003). I am a fan of Christopher Fowler’s Bryant and May series. This was the first and it begins with an explosion at the Peculiar Crimes Unit. John May mourns the death of his old friend Arthur Bryant. It seems to have something to do with their very first case in 1940 during the Blitz. It began when a dancer is found dead – and minus her feet – in the Palace Theatre, which turns out to be a very sinister place indeed.
Sarah Rayne’s Ghost Song (2009) is set in the vividly realised Tarleton theatre on London’s Bankside and is another crime novel that moves between the past and present. I love all the details of the old music hall shows, the terrific creepiness of the old theatre at night, and the on-the-edge-of your-seat suspense.
Ngaio Marsh, Opening Night (1951). Marsh is the doyenne of the theatrical mystery. She was made a dame for her contribution to the theatre in New Zealand. This is an usual crime novel in that the murder and the arrival of Alleyn don’t take place until well over half-way through. It’s a decent mystery, but the main appeal is the superbly realised theatrical setting.
Margery Allingham, Dancers in Mourning (1937). Reading this, I realised all over again what an excellent writer she is, so good at the way people think and behave. Chloe Pye, a dancer almost over the hill, has died. Her sister-in-law says: ‘ “. . . she was a good girl, I’m sure – at least her family always thought so, and now that time to be charitable if ever, when the poor soul’s lying dead.” This perfunctory dismissal . . . had the ruthlessness of a pronouncement of Time itself, and the more sensitive of them shivered a little. Arch, inviting Chloe Pye was dead indeed. It was like the drawer closing on a last year’s hat.’ Quite brilliant. The setting is a production of a musical comedy and Campion falls in love with the wife of the chief suspect.
That’s it. It is always such a treat getting together with Moira in this way – and I have had a lovely time rereading some old favourites. Do over to Moira’s blog at http://clothesinbooks.blogspot.co.uk and see what she has chosen.
Time for another list! We had such fun last time that Moira at Clothesinbooks.com and I have got together again, this time to share our ten favourite books set on the Home Front. Mine are all set in WWII. Here goes . . .
First up is Joyce Dennys’s Henrietta’s War (1983 – but written during the war). This is also on my list of books that make me laugh. I love it – and the second one, Henrietta Sees It Through, is just as good. Dennys was a GP’s wife in Budleigh Salterton, and these are purportedly letters written to her cousin. They are fiction, but I am sure they drew heavily on her own experience. They are charming, witty, and illustrated with her own delightful drawings – and along the way you get a very good idea of what the home front was like on the Devon coast.
Penelope Fitzgerald’s Human Voices (1980). Set in the BBC where Fitzgerald worked herself during the war. Funny, touching, perfectly observed: vintage Fitzgerald. I must reread it – again.
Muriel Spark, The Girls of Slender Means (1963). Very short, a novella really, and not a word wasted. It’s 1945 and the girls of slender means live in a London hostel, the May of Teck, with an unexploded bomb in the garden. What happens offers them a glimpse into the heart of darkness that will influence the course of their future lives. I’d love you to review this, Moira. Clothes are very important here.
Elizabeth Bowen’s novel The Heat of the Day is her best known work set in WWII, but I would go for The Collected Stories (1980). My copy is falling apart. The section, ‘The War Years’ contains some wonderful stories, including ‘Pink May,’ ‘The Demon Lover,’ and ‘The Happy Autumn Fields.’ No-one is better at describing the sheer strangeness and dislocation of war-time London.
Anthony Powell, The Soldier’s Art (1966), the eighth volume in A Dance to the Music of Time. Nick Jenkins joins up, but is too old to see active service, so it is all set in the UK. I have included it really for the part set in the Blitz, one of the saddest and most memorable sections in the whole series.
Lissa Evans, Their Finest Hour and a Half (2010), set in a documentary film unit just after Dunkirk. I’ve already blogged about this lovely novel. http://www.christinepoulson.co.uk/category/their-finest-hour-and-a-half/.
And now some crime. Laura Wilson’s An Empty Death (2009) is set in London in the Blitz and features DI Ted Stratton. The period detail is spot on. A good, gripping, meaty read. Her earlier novel, Stratton’s War, is also excellent.
Margery Allingham, Coroner’s Pidgin (1945). Albert Campion, after a secret mission abroad, stops off in his London flat and immediately gets embroiled in a murder investigation. His efforts to get home to his wife, Amanda, are constantly thwarted and when he does, well, the novel has one of my favourite endings.
Rennie Airth’s The Dead of Winter (2009), the third and last of his novels featuring (by now former police inspector) John Madden. A Polish land girl is murdered during the blackout and Madden gets involved because she was working on his farm. I don’t think Airth is as well known as he ought to be. He is a terrific writer.
And finally, a true classic: Christiana Brand’s Green for Danger (1945). In August 1944, during the V-1 Doodlebug offensive on London, a patient dies on the operating table after being injured by a flying bomb. A nurse is suspicious, but before she can say why, she dies too. Enter Inspector Cockrill. Pure Golden Age pleasure.
That’s it. I can’t wait to see what Moira’s chosen. I’ll add a link when her post is up.
Here it is: Clothesinbooks.com/Thursday List- Books About the WW2 Homefront. Fascinating . . .