The last day of 2016 and what a terribly strange and sad year it has been for me and my family in ways we could not have anticipated this time last year.
Peter’s memorial event at the university was recorded and can now be seen on Youtube. You can find it here: https://www.sheffield.ac.uk/architecture/people/pbj My own contribution is about an hour and five minutes in.
The photograph shows Peter walking in the woods near our house last winter and was taken – I think – by our younger daughter. It seems a very fitting image with which to end the year.
To all my friends and readers (so often one and the same) all my warm good wishes for 2017. Your support has meant so much to me over the last few months.
On Thursday I took part in a splendid event at Heffer’s bookshop in Cambridge. On my way there I took the opportunity of stopping off in Ely where my new series of novels is set to pick up a bit more local colour. I walked around the marina and went into the cathedral. Peter and I lived in nearby Cambridge and I remembered when we used to go to the Old Fire Engine House restaurant in the early days before we were married.
I went to see if it was still there and it is. Looking through the window I felt I could almost see our younger selves sitting there twenty years ago, with everything in front of us. Words from a poem by Hardy came into my mind. He so well understood the power of places to embody memories of those we love. He is one of my favourite poets. This is ‘At Castle Boterel.’
As I drive to the junction of lane and highway,
And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
And see on its slope, now glistening wet,
Myself and a girlish form benighted
In dry March weather. We climb the road
Beside a chaise. We had just alighted
To ease the sturdy pony’s load
When he sighed and slowed.
What we did as we climbed, and what we talked of
Matters not much, nor to what it led, ―
Something that life will not be balked of
Without rude reason till hope is dead,
And feeling fled.
It filled but a minute. But was there ever
A time of such quality, since or before,
In that hill’s story ? To one mind never,
Though it has been climbed, foot-swift, foot-sore,
By thousands more.
Primaeval rocks form the road’s steep border,
And much have they faced there, first and last,
Of the transitory in Earth’s long order ;
But what they record in colour and cast
Is—that we two passed.
And to me, though Time’s unflinching rigour,
In mindless rote, has ruled from sight
The substance now, one phantom figure
Remains on the slope, as when that night
Saw us alight.
I look and see it there, shrinking, shrinking,
I look back at it amid the rain
For the very last time; for my sand is sinking,
And I shall traverse old love’s domain
The photograph is of the Old Fire Engine House restaurant with the magnificent cathedral in the background.
On 16th November the Sheffield School of Architecture held an event to celebrate Peter’s life and work. It was an amazing evening, attended by around 200 people. Peter’s ex-students, some of them professors themselves now, came from places as far afield as Korea and Taiwan. It was intensely moving to hear what an influence he had had – and still has -not just as a writer, but as a teacher and thesis supervisor.
Among the speeches was one by Peter’s last Ph.D student, Xiang Ren, who ended by saying, ‘For me as a student, also as an international outsider, the time I spent with Peter is much less than most of the attendees here today. But he was really that person who influenced me so much – I would say, whole life – there is an old saying in traditional China – ‘one day teacher, whole life father’. Peter was such a person to me. He was also ‘the father of the house’ for the arts tower/SSoA, and I believe the flame will go on, for so many generations of younger students, scholars and practitioners not only coming from Sheffield, but also from all over the world.’
The photo is of Peter and me and Peter’s colleague, Jan Woudstra, with a group of Ph.D students and visiting scholars plus partners and children at our house in June 2013. I have taken it from a collection of photographs and tributes compiled by Peter’s South-east Asian students and which you can read here: http://www.sheffield.ac.uk/architecture/latest/pbj-phd-students-1.645114
Today my new novel is out. I am delighted with the great job that my publishers have done and it was a thrill to get my advance copy. What a terrific cover! I couldn’t be more pleased with it.
I turned to the acknowledgements and there at the end was this: ‘and last but not least, my husband, Peter Blundell Jones.’ Those were the last words in my book, written, of course, months ago, before we knew that Peter was ill. How fitting they are. That is all I really want to say for today. But if you’d like more, I’ve been interviewed over on Sue Hepworth’s blog, and you can read the post at www.suehepworth.com
Or anywhere else, possibly.
In Footfall, the third of my Cassandra James novels, Cassandra’s husband opens the fridge and one of the plastic racks on the inside of the door comes away. A bottle of milk, a jar half full of olives, and a glass containing sticks of celery crash to the tiled floor.
In the way that writers do, I plundered my own life for this episode, which happened precisely as I described it, except that it was me who opened the door. Our old fridge was in a sorry state, no doubt about it, and anyone else might have decided to buy a new one. But Peter hated built-in obsolescence and the shoddiness of much modern design. Instead he repaired the fridge with fibreglass and made three wooden racks to replace the disintegrating metal and plastic ones.
That was years ago. The fridge doesn’t defrost itself any more and dealing with the jammed up ice box is a bit of a palaver. But it works, the shelves are still sturdy, and I won’t be buying a new fridge any time soon.
‘I never travel without my diary. One should always have something sensational to read in the train.’ In that respect and in that only I am like Gwendolen in The Importance of Being Earnest.
I first began to write a journal when I wrote my first novel. I am now onto notebook 25. I don’t write in it every day – far from it – but still it has become an essential part of my life. At first it was a matter of jotting down ideas or snatches of conversation overheard in café or an account of something that had happened that might one day be incorporated into a novel or story. Or I might sketch out the draft of a short story or write a piece of dialogue or a descriptive paragraph or two if they came to me while I was away from home. For, like Gwendolen, I always have my journal with me.
Over the years I began to record more personal stuff – such as how I felt about major events in my life, like the death of my mother. Above all I started to keep an account of our family holidays, in particular our many trips to Northern France over the last eight years. And now I am so glad that I did. Reading about them is a comfort and a way of visiting the life that I shared with Peter. Often, too, what I have written triggers other precious memories of things that I didn’t record.
I would encourage anyone, not just writers, to keep a journal. So much disappears as one moves forward in time, and is lost forever. But some can be saved: it need not all quite vanish.
The photograph is of me and Peter on the ramparts at Montreuil in Pas-de-Calais.
Writing is a solitary activity, involving long periods alone and periods of distraction even when you’re not alone. Thurber’s wife used to say to him ‘Dammit, you’re writing!’ when he sat abstracted at the dinner table.
Other writers understand this. When it was one of his days for working at home, Peter and I would retreat to our own separate studies in the morning and later come out to have lunch together. Though even then he would catch me staring into space, not having heard a word he said, as I contemplated ways of murdering people.
In the early days we were both academics, but as time went on and I began to write fiction, we became very different kinds of writers. We didn’t always read what the other had written. It didn’t matter. Sometimes I would talk to him when I got stuck and couldn’t work out what should happen next. He would tell me about an interesting piece of research he was doing: for his latest book, Architecture and Ritual, I was fascinated by his work on Chinese magistrates.
Architecture and Ritual: How Buildings Shape Society was published a few days after Peter’s death, but he saw a copy before we knew how ill he was. I am grateful that he was able to enjoy that. It is the culmination of a lifetime’s work and thought and he was so pleased that Bloomsbury took it on. It’s a worthy end to a distinguished career, though I am sorry too that he didn’t live to write the book on Lethaby that he had begun researching. He would have been the perfect person for that.
We enjoyed each other successes and spurred each other on. I don’t think I could have become a novelist and short story writer if I hadn’t been married to Peter and had his support, especially at the beginning. I will miss him in so many ways, and this not the least.
after the death of my husband, Peter Blundell Jones. Thank you to everyone.
On the day of his funeral the blinds were drawn in the windows of the Architecture Department in the Arts Tower: a wonderful tribute.
This obituary by Jeremy Till for the Architect’s Journal sums him up so well: www.architectsjournal.co.uk/news/obituary-peter-blundell-jones-1949-2016/10010072.article#.V78Wi9pRaOw.twitter
My dear husband, Peter Blundell Jones, father, writer, architect, scholar, died on Friday after a short illness.