Reviews

Invisible’s got an excellent, tense plot, shifting between the two main characters, with a good number of surprises along the way. Poulson always has great, strong women characters, with real lives and feelings . . .  I liked the fact that the depictions of violence and injury were realistic without being over-detailed or gloating . . . It was a pleasure to find a book that did the excitement, the jeopardy and the thrills without putting off this reader . . .  a very good read for anyone.’

- CLOTHES IN BOOKS

Christine PoulsonBefore Christine Poulson turned to crime, she was a respectable academic with a PhD in History of Art and had written widely on nineteenth-century art and literature. During her career as an art historian, she worked as a curator of ceramics at Birmingham Museum and Art Gallery and as curator for the William Morris Society at Kelmscott House in Hammersmith, London. She taught for the Open University and was a lecturer in Art History at a college in Cambridge. The city of Cambridge and the surrounding Fens, with their unique, sometimes sinister atmosphere, provided the setting for her first novel and she was spurred on by her own experience of being made redundant. Her most recent work of non-fiction, a book on Arthurian legend in British Art,1840-1920, was short listed for a Mythopoeic Award in the USA in 2002.

Christine is happy to give readings from her work and to talk about how to write a first novel. You can contact her at christine@christinepoulson.co.uk.

View Christine’s blog: A Reading Life