Reviews

‘Christine Poulson’s wonderful sense of place brings Cambridge to life. Cassie overcomes the problems facing her with wit and guile aplenty and ensures the reader’s empathy from first word to last . . . an enthralling and engaging read that underlines Christine’s burgeoning reputation as a crime novelist to watch.’ [Stage Fright]

- SHOTS MAGAZINE

Cookbooks

Posted on Jan 15, 2009 in comfort reading, cookbooks | No Comments

The point where comfort eating and comfort reading meet. A week or two ago I threw a big party for a special family birthday and did lunch for over thirty people. There was much list-making and anxious scanning of cookery books beforehand. This set me thinking about cookery books as a branch of literature. My cookery books can be divided into those that have a purely practical function (all of Delia plus The Good Housekeeping Cookery Book), those that can be read for pleasure (more on that in a minute), and those which I never consult at all. Elizabeth David exemplifies the genre of cookbook as literature, and hers are on the shelf, but I’m also fond of two books I bought in my student day: Georgina Horley’s GOOD FOOD ON A BUDGET and Jocasta Innes’s THE PAUPER’S COOKBOOK. There is something tremendously reassuring about the view of domestic life that one glimpses here: thrifty, even a little frugal at times, but life-enhancing and celebratory, too. Possibly my favourite cookbook simply for reading is Peg Bracken’s THE I HATE TO COOK BOOK, first published in 1961 and designed as she says for ‘those of us who want to fold our big dishwater hands around a dry Martini instead of a wet flounder, come the end of a long day.’ Some of the recipes have dated (though one day I intend to try Stayabed Stew, designed for ‘when you’re en negligee, en bed, with a murder story and a box of chocolate, or possibly a good case of the flu’), but the humour hasn’t.

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