‘This is splendidly written fare from the reliable Poulson, written with keen psychological insight.’ [Invisible]



I’ve written before about disposing of my mother’s books and how hard I’ve found it to part with them. Even now over three years after she died I have a couple of boxes of her books that I haven’t known whether to keep or not. However a few weeks ago I decided that I wasn’t going to reread Elizabeth Ferrars. I used to enjoy her books and no doubt some of the ones my mother had came from me. She had a long and successful career, dying in 1995 at the age of 88, writing until the end. Her books are good puzzles, very well written, and have their exciting moments, but when I tried one of them again I found the pace too slow. And I have got so many new books that I haven’t read. It was time to let them go.
There is an Oxfam bookshop near to where I have my Alexander technique lesson every three or four weeks, so I’ve been taking a bag of books with me and dropping them off. This week I spotted a couple of the Elizabeth Ferrars that I’d taken on previous occasions and one by Elizabeth Lemarchand, whom I’d also decided to dispose of. It was rather strange, seeing them there especially when I consider that they would have been bought by me and my mother in charity shops in the first place. But I was glad they were there and hope someone else will pounce on them and buy them and take them home.
It also set me thinking about fashions in books and what makes some books re-readable and others not. Last week-end I read with pleasure Jill Paton Welsh’s THE ATTENBURY EMERALDS, which as the title-page says is based on the characters of Dorothy L. Sayers. It is in effect a Dorothy L Sayers novel written by somone else and a very good job she makes of it, too, though I wasn’t entirely convinced by the more egalitarian relationship between Lord Peter and Bunter. Class divisions were still very much in place in the fifties, when this is set, and that didn’t quite ring true. Still, I enjoyed it and it has sent me back again to the original novels and I have started MURDER MUST ADVERTISE. I can’t remember who dun it, which it is nice. Sayers didn’t really write that many and I sometimes feel that writers today are under too much pressure to go on churning books out. I have just read two crime novels by writers I have enjoyed enormously in the past and neither of them were very good. The ending of one of them came out of the blue and amounted to a deus ex machina. I felt cheated and I could guess how this had happened. The writer was working to a deadline and just had to get the bloody thing done somehow. I suspect that once writers become popular publishers are just anxious to go milking the cash-cow and are less inclined to ask for rewrites that would slow down the rate of production.
Having said that Elizabeth Ferrars wrote about fifty and kept to a pretty high standard as I recall, but not everyone can do that.

1 Comment

  1. Jilly
    April 23, 2011

    I thought the Attenbury Emeralds was excellent and forgot at times that I wasn’t reading DLS herself. I thought the relationship with Bunter was plausible though I understand what you’re saying.


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