The pleasure of rereading Michael Gilbert’s crime novels
There are times when I just don’t have the energy to tackle something new, and a return to old favourites is exactly what I need. Michael Gilbert is fitting the bill at the moment. To read his novels is to take a masterclass in crime fiction. He wrote a lot: over 400 short stories and around three dozen novels, as well as radio and TV plays. He wrote almost every type of crime novel: police procedurals, classic whodunits, thrillers. To all of them he brought a superb sense of pace, tight plotting and a dry sense of humour. What’s more he had a day job as a lawyer and wrote as he commuted into London. He was a founder member of the CWA. Rather wonderfully, he was Raymond Chandler’s UK lawyer. Rather less wonderfully he went to the same school as my husband, some considerable time before.
If he specialised in anything it might have been the one-honest-man-brings-down-corrupt-organisation plot. In The Crack in the Teacup, a small-town solicitor comes up against local government corruption. In The Long Journey Home it is an engineer who crosses swords with a corrupt international company in league with the Mafia. Of this sub genre I particularly like The Final Throw: corrupt financial empire brought down by – well, I’d better not disclose by whom in case you haven’t read it. Of the classic whodunits, The Black Seraphim, set in a cathedral close (a setting I plan to use myself one day) and the splendid Smallbone Deceased (set in a lawyers’ office in which a body is found in a deed box) are particular favourites.
Gilbert had a long career and died in 2006 aged 93. I bet he was great company and I am sorry I never met him.